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Step into Ernst Wolzogen's Motley Theater, Max Reinhardt's Sound and Smoke, Rudolf Nelson's Chat noir, and Friedrich Hollaender's Tingel-Tangel. Enjoy Claire Waldoff's rendering of a lower-class Berliner, Kurt Tucholsky's satirical songs, and Walter Mehring's Dadaist experiments, as Peter Jelavich spotlights Berlin's cabarets from the day the curtain first went up, in 1901, until the Nazi regime brought it down.
Fads and fashions, sexual mores and political ideologies--all were subject to satire and parody on the cabaret stage. This book follows the changing treatment of these themes, and the fate of cabaret itself, through the most turbulent decades of modern German history: the prosperous and optimistic Imperial age, the unstable yet culturally inventive Weimar era, and the repressive years of National Socialism. By situating cabaret within Berlin's rich landscape of popular culture and distinguishing it from vaudeville and variety theaters, spectacular revues, prurient "nude dancing," and Communist agitprop, Jelavich revises the prevailing image of this form of entertainment.
Neither highly politicized, like postwar German Kabarett, nor sleazy in the way that some American and European films suggest, Berlin cabaret occupied a middle ground that let it cast an ironic eye on the goings-on of Berliners and other Germans. However, it was just this satirical attitude toward serious themes, such as politics and racism, that blinded cabaret to the strength of the radical right-wing forces that ultimately destroyed it. Jelavich concludes with the Berlin cabaret artists' final performances--as prisoners in the concentration camps at Westerbork and Theresienstadt.
This book gives us a sense of what the world looked like within the cabarets of Berlin and at the same time lets us see, from a historical distance, these lost performers enacting the political, sexual, and artistic issues that made their city one of the most dynamic in Europe.
- Sales Rank: #1346811 in eBooks
- Published on: 2009-06-30
- Released on: 2009-06-30
- Format: Kindle eBook
Most helpful customer reviews
11 of 11 people found the following review helpful.
Outstanding chronicle of a very unique period
By A Customer
Sadly there are few books that give one a real sense of the Weimar years in Germany when the economy collapsed, near-anarchy reigned & bourgeois morality was evaporating along with the value of the mark. Berlin was the quintessential moderne city. Literature, painting & architecture all seemed to explode into new worlds in a kind of Big Bang. This book does a masterful job of documenting the evolution of cabaret theater from the innocent reviews of the early 1920s to the biting political commentary of the late 1920s & early 1930s when the last performances succumbed to the growing influence of the national socialists (nazis). Along the way you get the syncopated nude musical reviews & stage tableaux. There's a lot of careful considered analysis, but also a great feel for the time & place. Very well written & with many fascinating illustrations.
5 of 5 people found the following review helpful.
Berlin Cabaret
By Bryan Ryman
I bought this book because I needed research for a film script of that period. Without a doubt, for me, it contained more hard to find facts than I had ever uncovered before.
That special period of time when Adolf Hitler was about to take over Germany and The Cabarets were as avant garde as they could be, is well documented here. So are The Cabarets that opposed The Third Reich.
I'd reccomend this book to anyone who has an interest in that period.
5 of 5 people found the following review helpful.
Thoroughly excellent
By Ludwig
One caveat: this is an academic study, and you won't find the quantity or quality of photographs published in more coffee-table oriented books on the subject. That said, it is thoroughly excellent, and what you won't find in the coffee-table books is a discussion that is anywhere near as complete or insightful.
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