Selasa, 31 Desember 2013

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A Christmas Holiday Coloring Book: -Contains 25 unique, holiday designs which include unique snowflakes, snowmen, reindeer, and many other designs -Engaging and fun for ALL

  • Sales Rank: #24145 in Books
  • Published on: 2016-11-07
  • Original language: English
  • Dimensions: 9.00" h x .6" w x 6.00" l,
  • Binding: Paperback
  • 24 pages

Most helpful customer reviews

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2 of 3 people found the following review helpful.
Two Stars
By JB
Product quality is weak

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Jumat, 27 Desember 2013

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Safe With Me: A psychological thriller so tense it will take your breath away, by K.L. Slater

Thirteen years ago someone did something very bad to Anna. Now it’s her turn to get even …

Anna lives a solitary existence, taking solace in order and routine. Her only friend is the lonely old lady next door. She doesn’t like to let people to get too close – she knows how much damage they can do.

Then one ordinary day Anna witnesses a devastating road accident and recognises the driver as Carla, the woman who ruined her life all those years ago. Now it’s Anna’s chance to set things straight but her revenge needs to be executed carefully …

First she needs to get to know Liam, the man injured in the accident. She needs to follow the police investigation. She needs to watch Carla from the shadows…

But as Anna’s obsession with Carla escalates, her own secrets start to unravel. Is Carla really dangerous or does Anna need to worry about someone far closer to home?

A compelling, gripping psychological thriller, perfect for fans of The Girl on the Train and The Sister.

What everyone's saying about SAFE WITH ME:

'Wow, just wow! … I cannot praise this book or author highly enough. I absolutely loved every second of the story … definitely my book of the year so far… 5 stars from me, I wish I could give it more!' 5 stars'. Feminisia Libros Reviews

'just WOW … could hardly put it down … Whew! To say that this book is good is a huge understatement … K. L. Slater knocked this one out of the proverbial park.' Shelf Knowledge

'just plain brilliant! I was glued to the pages! This book is the reason why I love to read!' Loud and Proud Book Junkie

'Holy Hell what a jaw dropper!.....Just need a moment to lift my jaw back off the floor, what a fantastic debut!' Chelle's Book Reviews

'A very clever psychological thriller that plays with your mind and makes you feel like you've stepped off the waltzers at the fairground!' By the Letter Books

'A superb psychological thriller. Fast-paced and thoroughly gripping.' The Book Review Cafe

'Fast paced with plenty going on to keep a reader glued to their seat'Strange Alliances

'Oh my gosh! What a belter of a debut! Safe With Me is totally brilliant' The Little Bookworm

'Sublimely dark and all-consuming, Slater has written a novel so gripping, so captivatingly exciting that I found myself shushing everyone and ignoring everything simply so I could carry on reading.' Becca's Books

'This one will keep you up at night, flipping the pages ...One word of caution, prepare to be surprised & shocked more than once.' First to Read

'Freakin' awesome...you need to start this book on a day when you have nothing else to do, because believe me you will not want to put this down once you start it.' I Love Reading

'WOW,I'm going to have to catch up with the housework tomorrow because I have just spent the last two days devouring this jaw droppingly brilliant debut psychological thriller. 'Nicki's Life of Crime

'Thoroughly enjoyed this book. Lots of twists in the story kept me guessing right to the end. Very well written.' Book Attic Confessions

'I was totally captivated by this book from the start, it is truly a gripping read with some gobsmacking twists that will leave you breathless!' Emma the little Bookworm

'You know how some books declare 'It'll leave you on the edge of your seat", I swear I almost fell off mine more than once ... this is a gem of a read, hugely enjoyable in a perverse making yourself feel on-edge kind of way!' Woman Reads Books

'A whirlwind of a read ...disturbingly realistic' Curious Bookworm

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  • Sales Rank: #78 in eBooks
  • Published on: 2016-11-03
  • Released on: 2016-11-03
  • Format: Kindle eBook

Most helpful customer reviews

5 of 5 people found the following review helpful.
Wow!
By Constantly Reading
This absolutely blew me away! Some I figured, but seriously, what an ending! I would recommend this book to anyone who loves a good mystery and can enter the mind of the mentally unstable. No, she's not "crazy" just a little confused.

3 of 3 people found the following review helpful.
A wonderful roller coaster ride. Don't miss it!
By Laurel H.
K.L. Slater has a great writing style. The twists and turns in this book keep you guessing till the end. I can't wait till the next book is out. She is on my list of must read Authors!!

0 of 0 people found the following review helpful.
Terrific story!
By J&B Reviews
Wow, the only thing reason I'm giving this book four stars instead of five stars is because to me it started a little too slow but even as I write this I'm wondering if that slow start was done for a reason because it sure speeded up the farther along I got. All of the characters were so well drawn, Anna in particular.

I felt so bad for her and everything she had been through but I alternated between wanting to hug her one minute and the next to try to shake some sense into her. She was really the poster child for denial!

I won't say anything more for fear of inadvertently giving something away. Highly recommended.

See all 87 customer reviews...

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Kamis, 19 Desember 2013

[R771.Ebook] PDF Ebook An Indigenous Peoples' History of the United States (ReVisioning American History), by Roxanne Dunbar-Ortiz

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An Indigenous Peoples' History of the United States (ReVisioning American History), by Roxanne Dunbar-Ortiz

2015 Recipient of the American Book Award

The first history of the United States told from the perspective of indigenous peoples
 
Today in the United States, there are more than five hundred federally recognized Indigenous nations comprising nearly three million people, descendants of the fifteen million Native people who once inhabited this land. The centuries-long genocidal program of the US settler-colonial regimen has largely been omitted from history. Now, for the first time, acclaimed historian and activist Roxanne Dunbar-Ortiz offers a history of the United States told from the perspective of Indigenous peoples and reveals how Native Americans, for centuries, actively resisted expansion of the US empire.

In An Indigenous Peoples’ History of the United States, Dunbar-Ortiz adroitly challenges the founding myth of the United States and shows how policy against the Indigenous peoples was colonialist and designed to seize the territories of the original inhabitants, displacing or eliminating them. And as Dunbar-Ortiz reveals, this policy was praised in popular culture, through writers like James Fenimore Cooper and Walt Whitman, and in the highest offices of government and the military. Shockingly, as the genocidal policy reached its zenith under President Andrew Jackson, its ruthlessness was best articulated by US Army general Thomas S. Jesup, who, in 1836, wrote of the Seminoles: “The country can be rid of them only by exterminating them.”
 
Spanning more than four hundred years, this classic bottom-up peoples’ history radically reframes US history and explodes the silences that have haunted our national narrative.


From the Hardcover edition.

  • Sales Rank: #4424 in Books
  • Published on: 2015-08-11
  • Released on: 2015-08-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .90" w x 6.10" l, .81 pounds
  • Binding: Paperback
  • 312 pages

Review
“Meticulously documented, this thought-provoking treatise is sure to generate discussion.”
—Booklist

“What is fresh about the book is its comprehensiveness. Dunbar-Ortiz brings together every indictment of white Americans that has been cast upon them over time, and she does so by raising intelligent new questions about many of the current trends of academia, such as multiculturalism. Dunbar-Ortiz’s material succeeds, but will be eye-opening to those who have not previously encountered such a perspective.”
—Publishers Weekly

“From the struggles against the early British settlers in New England and Virginia to the final catastrophes at Sand Creek and Wounded Knee, Dunbar-Ortiz never flinches from the truth.” 
—CounterPunch

“[An] impassioned history.... Belongs on the shelf next to Dee Brown’s classic, Bury My Heart at Wounded Knee.”
—San Francisco Chronicle

“A must-read for anyone interested in the truth behind this nation’s founding.” 
—Veronica E. Velarde Tiller, PhD, Jicarilla Apache author, historian, and publisher of Tiller’s Guide to Indian Country

“This may well be the most important US history book you will read in your lifetime. . . . Dunbar-Ortiz radically reframes US history, destroying all foundation myths to reveal a brutal settler-colonial structure and ideology designed to cover its bloody tracks.  Here, rendered in honest, often poetic words, is the story of those tracks and the people who survived—bloodied but unbowed. Spoiler alert: the colonial era is still here, and so are the Indians.”
—Robin D. G. Kelley, author of Freedom Dreams
 
“Dunbar Ortiz’s . . . assessment and conclusions are necessary tools for all Indigenous peoples seeking to address and remedy the legacy of US colonial domination that continues to subvert Indigenous human rights in today’s globalized world.”
—Mililani B. Trask, Native Hawai‘ian international law expert on Indigenous peoples’ rights and former Kia Aina  (prime minister) of  Ka La Hui Hawai‘i 
 
“An Indigenous Peoples’ History of the United States provides an essential historical reference for all Americans. . . . The American Indians’ perspective has been absent from colonial histories for too long, leaving continued misunderstandings of our struggles for sovereignty and human rights.”
—Peterson Zah, former president of the Navajo Nation
 
“An Indigenous Peoples’ History . . . pulls up the paving stones and lays bare the deep history of the United States, from the corn to the reservations. If the United States is a ‘crime scene,’ as she calls it, then Dunbar-Ortiz is its forensic scientist. A sobering look at a grave history.”
—Vijay Prashad, author of The Poorer Nations
 
“Justice-seekers everywhere will celebrate Dunbar-Ortiz’s unflinching commitment to truth—a truth that places settler-colonialism and genocide exactly where they belong: as foundational to the existence of the United States.”
—Waziyatawin, PhD, activist and author of For Indigenous Minds Only

“Dunbar-Ortiz strips us of our forged innocence, shocks us into new awarenesses, and draws a straight line from the sins of our fathers—settler-colonialism, the doctrine of discovery, the myth of manifest destiny, white supremacy, theft and systematic killing—to the contemporary condition of permanent war, invasion and occupation, mass incarceration, and the constant use and threat of state violence.” —Bill Ayers

“Roxanne Dunbar-Ortiz’s Indigenous Peoples’ History of the United States is a fiercely honest, unwavering, and unprecedented statement, one which has never been attempted by any other historian or intellectual. The presentation of facts and arguments is clear and direct, unadorned by needless and pointless rhetoric, and there is an organic feel of intellectual solidity that provides weight and trust. It is truly an Indigenous peoples’ voice that gives Dunbar-Ortiz’s book direction, purpose, and trustworthy intention. Without doubt, this crucially important book is required reading for everyone in the Americas!”
—Simon J. Ortiz, Regents Professor of English and American Indian Studies, Arizona State University
 
“Roxanne Dunbar-Ortiz writes a masterful story that relates what the Indigenous peoples of the United States have always maintained: Against the settler U.S. nation, Indigenous peoples have persevered against actions and policies intended to exterminate them, whether physically, mentally, or intellectually. Indigenous nations and their people continue to bear witness to their experiences under the U.S. and demand justice as well as the realization of sovereignty on their own terms.”
—Jennifer Nez Denetdale, Associate Professor of American Studies at the University of New Mexico and author of Reclaiming Diné History


From the Hardcover edition.

About the Author
Roxanne Dunbar-Ortiz grew up in rural Oklahoma, the daughter of a tenant farmer and part-Indian mother. She has been active in the international Indigenous movement for more than four decades and is known for her lifelong commitment to national and international social justice issues. After receiving her PhD in history at the University of California at Los Angeles, she taught in the newly established Native American Studies Program at California State University, Hayward, and helped found the Departments of Ethnic Studies and Women’s Studies. Her 1977 book The Great Sioux Nation was the fundamental document at the first international conference on Indigenous peoples of the Americas, held at the United Nations’ headquarters in Geneva. Dunbar-Ortiz is the author or editor of seven other books, including Roots of Resistance: A History of Land Tenure in New Mexico. She lives in San Francisco.

Excerpt. © Reprinted by permission. All rights reserved.
Introduction
This land
 
We are here to educate, not forgive.
We are here to enlighten, not accuse.
–Willie Johns, Brighton Seminole Reservation, Florida
 
Under the crust of that portion of Earth called the United States of America—“from California . . . to the Gulf Stream waters”—are interred the bones, villages, fields, and sacred objects of American Indians. They cry out for their stories to be heard through their descendants who carry the memories of how the country was founded and how it came to be as it is today.
 
It should not have happened that the great civilizations of the Western Hemisphere, the very evidence of the Western Hemisphere, were wantonly destroyed, the gradual progress of humanity interrupted and set upon a path of greed and destruction. Choices were made that forged that path toward destruction of life itself—the moment in which we now live and die as our planet shrivels, overheated. To learn and know this history is both a necessity and a responsibility to the ancestors and descendants of all parties.
 
What historian David Chang has written about the land that became Oklahoma applies to the whole United States: “Nation, race, and class converged in land.” Everything in US history is about the land—who oversaw and cultivated it, fished its waters, maintained its wildlife; who invaded and stole it; how it became a commodity (“real estate”) broken into pieces to be bought and sold on the market.
 
US policies and actions related to Indigenous peoples, though often termed “racist” or “discriminatory,” are rarely depicted as what they are: classic cases of imperialism and a particular form of colonialism—settler colonialism. As anthropologist Patrick Wolfe writes, “The question of genocide is never far from discussions of settler colonialism. Land is life—or, at least, land is necessary for life.”
 
The history of the United States is a history of settler colonialism— the founding of a state based on the ideology of white supremacy, the widespread practice of African slavery, and a policy of genocide and land theft. Those who seek history with an upbeat ending, a history of redemption and reconciliation, may look around and observe that such a conclusion is not visible, not even in utopian dreams of a better society.
 
Writing US history from an Indigenous peoples’ perspective requires rethinking the consensual national narrative. That narrative is wrong or deficient, not in its facts, dates, or details but rather in its essence. Inherent in the myth we’ve been taught is an embrace of settler colonialism and genocide. The myth persists, not for a lack of free speech or poverty of information but rather for an absence of motivation to ask questions that challenge the core of the scripted narrative of the origin story. How might acknowledging the reality of US history work to transform society? That is the central question this book pursues.
 
Teaching Native American studies, I always begin with a simple exercise. I ask students to quickly draw a rough outline of the United States at the time it gained independence from Britain. Invariably most draw the approximate present shape of the United States from the Atlantic to the Pacific—the continental territory not fully appropriated until a century after independence. What became independent in 1783 were the thirteen British colonies hugging the Atlantic shore. When called on this, students are embarrassed because they know better. I assure them that they are not alone. I call this a Rorschach test of unconscious “manifest destiny,” embedded in the minds of nearly everyone in the United States and around the world. This test reflects the seeming inevitability of US extent and power, its destiny, with an implication that the continent had previously been terra nullius, a land without people.
 
Woody Guthrie’s “This Land Is Your Land” celebrates that the land belongs to everyone, reflecting the unconscious manifest destiny we live with. But the extension of the United States from sea to shining sea was the intention and design of the country’s founders. “Free” land was the magnet that attracted European settlers. Many were slave owners who desired limitless land for lucrative cash crops. After the war for independence but preceding the writing of the US Constitution, the Continental Congress produced the Northwest Ordinance. This was the first law of the incipient republic, revealing the motive for those desiring independence. It was the blueprint for gobbling up the British-protected Indian Territory (“Ohio Country”) on the other side of the Appalachians and Alleghenies. Britain had made settlement there illegal with the Proclamation of 1763.
 
In 1801, President Jefferson aptly described the new settler-state’s intentions for horizontal and vertical continental expansion, stating: “However our present interests may restrain us within our own limits, it is impossible not to look forward to distant times, when our rapid multiplication will expand itself beyond those limits and cover the whole northern, if not the southern continent, with a people speaking the same language, governed in similar form by similar laws.” This vision of manifest destiny found form a few years later in the Monroe Doctrine, signaling the intention of annexing or dominating former Spanish colonial territories in the Americas and the Pacific, which would be put into practice during the rest of the century.
 
Origin narratives form the vital core of a people’s unifying identity and of the values that guide them. In the United States, the founding and development of the Anglo-American settler-state involves a narrative about Puritan settlers who had a covenant with God to take the land. That part of the origin story is supported and reinforced by the Columbus myth and the “Doctrine of Discovery.” According to a series of late-fifteenth-century papal bulls, European nations acquired title to the lands they “discovered” and the Indigenous inhabitants lost their natural right to that land after Europeans arrived and claimed it. As law professor Robert A. Williams observes about the Doctrine of Discovery:
 
Responding to the requirements of a paradoxical age of Re-
naissance and Inquisition, the West’s first modern discourses
of conquest articulated a vision of all humankind united
under a rule of law discoverable solely by human reason. Un-
fortunately for the American Indian, the West’s first tentative
steps towards this noble vision of a Law of Nations contained
a mandate for Europe’s subjugation of all peoples whose ra-
dical divergence from European-derived norms of right conduct
signified their need for conquest and remediation.
 
The Columbus myth suggests that from US independence onward, colonial settlers saw themselves as part of a world system of colonization. “Columbia,” the poetic, Latinate name used in reference to the United States from its founding throughout the nineteenth century, was based on the name of Christopher Columbus. The “Land of Columbus” was—and still is—represented by the image of a woman in sculptures and paintings, by institutions such as Columbia University, and by countless place names, including that of the national capital, the District of Columbia. The 1798 hymn “Hail, Columbia” was the early national anthem and is now used whenever the vice president of the United States makes a public appearance, and Columbus Day is still a federal holiday despite Columbus never having set foot on any territory ever claimed by the United States.

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161 of 181 people found the following review helpful.
A necessary catalog of toxic, hidden lies that linger on
By GregJS
Reading this book is not a pleasant experience. But it is a good experience. So many horrific wrongs committed in the past have been proclaimed as heavenly goods; and those of us alive today, as the unwitting inheritors of these distortions, build our homes on top of them, not realizing that the lush green grass beneath our feet just barely covers highly toxic waste only inches below. Then we wonder why we suffer from untold dis-eases. It is not pleasant to discover that we have been living on top of a toxic dump; but it is very good to be alerted to that fact. Only then can we begin to clean up the mess. And we must clean up the mess.

So while some may dismiss this book, saying, “That’s all ancient history now. It’s not like we can undo the past and give Native Americans their land back. Let’s just move on” - as if to say that this book’s topic is not relevant to our lives in the present - the truth is that this book can be approached as a catalog of the hidden, toxic lies that the dominant culture continues to tell itself, right up until the present moment and that are built into our current lives without our being aware of them. As such, this book is of great and immediate value to every one of us, right now.

In summary, Dunbar-Ortiz shows how European-Americans have continually reframed Native Americans’ role in our national myth-narrative - always with the purpose of maintaining the basic structure of that narrative. That myth-narrative, as she describes it, is the laughable notion of liberty-through-empire - the idea that it is America’s divinely appointed duty to violently impose free-market capitalism on the rest of the world’s peoples in order to lift them up and liberate them (even though only a relative few ever do well in this system). So, for example, we started off, in the 1700’s-1800’s blatantly framing Native Americans as sub-human enemies of God’s blessed nation and as obstacles to our Manifest Destiny. Then, we retroactively reframed them as virtually nonexistent - as if the pilgrims had arrived in a virgin New World. We then went on to frame them as helpless victims needing us to rescue them; as having been eliminated mainly by diseases; as having been equal belligerents in a “fair fight” who simply happened to come out the losers; and finally, as one of many valuable contributors and welcome citizens (right along with all other ethnic immigrant groups) to our “great society.” None of these narratives is true, however. The truth is simply that Native Americans composed many nations who became colonized peoples struggling to preserve their integrity and sovereignty against uniquely vicious invaders who, perversely driven by greed, used the most grotesque, dishonorable tactics of total, scorched-earth war in an attempt to exterminate them.

Each lie we made up to hide this simple truth served to make us feel good about taking indigenous peoples’ lands away from them. No matter which of these stories we told ourselves, the result was the same: America fulfilled her Manifest Destiny and became what we were always “intended” to become according to God’s divine plan, as His special, chosen people.

The thing is, these are not just lies told in the past about Native Americans. As the unwitting inheritors of that past, we continue to tell ourselves these exact same lies in countless situations today. We tell ourselves that certain peoples are sub-human, or are our enemies when they are not. We tell ourselves that people we victimize are “equal players” and are equally culpable. We tell ourselves that the wrongs we commit are justified by the fact that we are doing God’s work and fulfilling His plan or will. We treat people abusively and then say something nice to them, or give them trinkets, as if this cancels our guilt. We do this on the level of foreign policy, at the domestic/local level, and in our private lives and intimate relationships. We do this all the time. We do it to enrich ourselves at others’ expense and to ease our guilty consciences. Many continue to suffer and die because of these lies. But we do not see this clearly because we have hundreds of years of practice not seeing it.

What this book demonstrates, really, is that our “heroic forefathers’” most significant legacy to us may be an amazing capacity for self-deception. And unless we are willing to re-examine our history, we will continue passing that legacy down to future generations. Since self-deception cannot but cause endless problems and suffering, this is a legacy we should seek to terminate ASAP. But the self-destructive habit of repeating these lies will remain ingrained in us until we can make those lies conscious to ourselves.

There are so many wrongs that we have unknowingly inherited and that we unknowingly perpetuate. They must be righted. Every single one of them. For our own good, as well as for others’. But first, we have to be able even just to see them for what they are. Dunbar-Ortiz’s book allows us to take some crucial steps towards the worthwhile goal of “truth and rectification” (if not reconciliation).

(My one criticism: I had hoped for a bit more description of how Indigenous peoples saw/see the world. We do not learn too much about their actual lives. This is fairly straightforward, somewhat dry, academic, western-style “this happened and then that happened” history. But as such, it’s excellent quality.)

88 of 99 people found the following review helpful.
For the United States, the Past is Prologue
By brianmpa
Ms. Dunbar-Ortiz has laid out for all Americans and the world at large the true founding of this nation - one based on slaughter, land theft, and slavery. In the so-called 'clash of cultures' as some have deemed the European settlers' interactions with the settled Native nations across the continent, it becomes obviously clear who the civilized culture really was. I am of Scottish-Irish descent, and my forebears were the barbarians that took this land away from settled peoples, and tried to destroy their cultures by any means necessary. Scalping babies and children and women for bounties paid by local governments and rest assured the painful deaths of these innocents through infection far exceed what any of us know or have experienced today. Skinning human beings and tanning their skin to make reins for their horses was yet another act of barbarity. We all know of the continuous and complete breaking of treaties, even today, as in Canada in the Athabasca region of northern Alberta province where the First nation peoples are having their water poisoned, their fish contaminated and rare and frequent childhood cancers developing. As Shakespeare wrote over 500 years ago, "the past is prologue", we see this true saying even today as the delusional ideology of "Manifest Destiny" being carried out today across the world. The violence and barbarity, the hatred of 'the other', and the genuine fear generated by the actions of our forebears as they slaughtered millions of native peoples is with us today in the madness we see in this country of gun purchases, and the gun violence continuing unabated. The story of the founding of the United States told by Ms. Dunbar-Ortiz is a sad, disturbing one, the first step, perhaps, to dropping the delusions most Americans have about their country and to take an honest look at themselves and what we have become across the world.

82 of 94 people found the following review helpful.
Excellent scholarship, tedious narrative
By Paul Klipp
I really want to like this book. The scholarship is evident and I'm sympathetic to the author's purpose, but it represents the worst kind of historical writing for me. There are no people in this book. I'm almost half-way through, and I haven't met a single person I can recognise as a human individual. The book is a collection of events and dates, organized in chronological order, with no attempt to identify cause and effect or to explore options in historical context. It literally reads like "general socioeconomic trend X" led to "general set of policies Y" therefore "general socioeconomic trend Z". I could lift dozens of paragraphs from the text that fit that model, and I'm tired of reading them. I want stories, primary (or any) sources, discussion, explanation. I want to understand what happened, not to memorize dates. The closest thing to an explanation of early American Indian policy is that every person who had Scots-Irish blood in their veins inherited the evil that their ancestors generally wrought on Ireland.

I'm now looking for a book as well-researched as this one, but better-written. If I find it, I'll add it as a comment on this review.

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An Indigenous Peoples' History of the United States (ReVisioning American History), by Roxanne Dunbar-Ortiz PDF
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Jumat, 13 Desember 2013

[K251.Ebook] PDF Ebook Project Management in New Product Development, by Bruce Barkley

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Project Management in New Product Development, by Bruce Barkley

Turn Innovative Ideas into Products and Services―and Manage and Control Them Using Project Management Tools

The first book to integrate project management and product development, Project Management in New Product Development shows you how to manage the translation of ideas into new products and services and get them to market cheaper, better, and faster using advanced project management tools and techniques.

Packed with detailed case studies and illustrations, this unique book explains how to move new products and services quickly from concept to product to market as a managed and seamless process free of problems and delays. This project tool also shows how to ensure that bad products are stopped at gateway points, before they become product and project failures. Project Management in New Product Development features:

  • The first integrated treatment of project management and new product development designed for modern, globally oriented firms
  • Numerous case studies covering software, technology, electronics, construction, telecommunications, military, and aerospace
  • 150 informative tables, figures, and graphics

  • Sales Rank: #2222086 in Books
  • Published on: 2007-11-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x 1.30" w x 7.50" l, 1.98 pounds
  • Binding: Hardcover
  • 397 pages

About the Author

Bruce Barkley is more than 30 years' experience in project management in both industry and government. One of his recent assignments include working with Coca Cola's new product development process.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Lacks depth - OK as an overview only
By T. Ward
I was fairly disappointed by this book. Having experience in the product development field this offered me nothing new. I would only recommend this book to students who want an introductory book. Even then, the focus seemed more on the product development process and their are many books that cover this topic in greater depth. I didn't see much on how project management can be customized to fit the NPD process.

0 of 0 people found the following review helpful.
A good resource
By Alvey
A great resource for some frameworks surrounding new product development.

2 of 5 people found the following review helpful.
photocopy
By T. Bilgehan Gurlek
I have dissappointed with the hard cover book printed in black and white and withh no colored figures and graphics. I think the original of the book should be in colored printed form. So, the copy sent to me seems to be a photocopy. I wouldn't expect such a thing with Amazon.

Best Regards,

Bilgehan Gurlek

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Minggu, 08 Desember 2013

[S289.Ebook] Download Ebook Painting Realistic Wildlife in Acrylic: 30 Step-By-Step Demonstrations, by William Silvers

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Painting Realistic Wildlife in Acrylic: 30 Step-By-Step Demonstrations, by William Silvers

A Master Artist Shares His Straightforward Approach for Capturing the Essence of Nature One measure of a painting's success is the emotion it elicits from its viewer; William Silvers' wildlife scenes make your pulse quicken and your breath catch as you witness some of nature's most miraculous everyday moments. The midnight prowl of a wolf. . .a sea lion diving into choppy surf. . .a pride of elephants at a watering hole in the thick, dusty air. In this book, Silvers shares his secrets for capturing the drama, the atmosphere and the very essence of wildlife.

  • Accessible "whole painting" approach using limited materials and multiple acrylic washes
  • 15 mini-demonstrations illustrate key acrylic techniques and how to use them to best effect
  • 15 complete step-by-step demonstrations feature a stunning range of animals, including golden eagles, swans, wolves, foxes, giraffes, deer, elk, black bears, polar bears, alligators and various big cats
Full of rich colors, a gripping sense of life and masterful advice for achieving the same, this book will help intermediate artists and advanced beginners achieve new levels of success and expression.

  • Sales Rank: #1212177 in Books
  • Brand: Brand: North Light Books
  • Published on: 2009-08-27
  • Released on: 2009-08-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.88" h x .50" w x 8.25" l, 1.28 pounds
  • Binding: Paperback
  • 144 pages
Features
  • Used Book in Good Condition

About the Author
William Silvers (http://www.williamsilvers.com/) is an experienced artist with twenty years of success both commercially and as a fine artist. He has worked for Disney feature animation as a background artist on films such as Mulan, Tarzan, Lilo & Stitch and Brother Bear; for Industrial Light & Magic where he worked on Day After Tomorrow and Star Wars Episode III as a matte painter; and for EA Sports as Associate Art Director where he worked on titles such as the award winning game, NCAA Football.

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19 of 19 people found the following review helpful.
Fantastic reference for the accomplished and the aspiring!
By jgimagecreations
'Painting Realistic Wildlife...' contains beautiful artistry and very clear, detailed step-by-step techniques that are sure to help both aspiring art students and the accomplished artisan alike. I am currently an art student, and I wish I would have had this book with me when I was taking my traditional painting courses. I have gained more from this book than I have in all of my painting classes combined. This book shows better techniques for fleshing in and blocking in painting compositions, and it helps to achieve photorealistic details with the more difficult elements like fur, textured skin and scales. William Silvers has done a fantastic job sharing his talent and techniques with the world!

0 of 0 people found the following review helpful.
Five Stars
By Sandy Waaka
Great book.. Easy to understand.

13 of 13 people found the following review helpful.
A top pick for any serious basic painting library
By Midwest Book Review
Master artist William Silvers shares his techniques for capturing nature in a guide presenting his 'whole painting' approach using multiple acrylic washes. Fifteen demonstrations illustrate key acrylic techniques and how to use them while another 15 step-by-step demonstrations show how to work with a range of animals from birds to beasts. Painting examples are accompanied by a facing page of instruction making for a top pick for any serious basic painting library.

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Jumat, 06 Desember 2013

[N181.Ebook] Ebook Download Elements of Gas Turbine Propulsion [Facsimile], by Jack D. Mattingly

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Elements of Gas Turbine Propulsion [Facsimile], by Jack D. Mattingly

  • Published on: 2005
  • Binding: Hardcover

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The Freedom Writers Diary, by The Freedom Writers, Erin Gruwell

#1 NEW YORK TIMES BESTSELLER & NOW A MAJOR MOTION PICTURE

Straight from the front line of urban America, the inspiring story of one fiercely determined teacher and her remarkable students.

As an idealistic twenty-three-year-old English teacher at Wilson High School in Long beach, California, Erin Gruwell confronted a room of “unteachable, at-risk” students. One day she intercepted a note with an ugly racial caricature, and angrily declared that this was precisely the sort of thing that led to the Holocaust—only to be met by uncomprehending looks. So she and her students, using the treasured books Anne Frank: The Diary of a Young Girl and Zlata’s Diary: A Child’s Life in Sarajevo as their guides, undertook a life-changing, eye-opening, spirit-raising odyssey against intolerance and misunderstanding. They learned to see the parallels in these books to their own lives, recording their thoughts and feelings in diaries and dubbing themselves the “Freedom Writers” in homage to the civil rights activists “The Freedom Riders.”

With funds raised by a “Read-a-thon for Tolerance,” they arranged for Miep Gies, the courageous Dutch woman who sheltered the Frank family, to visit them in California, where she declared that Erin Gruwell’s students were “the real heroes.” Their efforts have paid off spectacularly, both in terms of recognition—appearances on “Prime Time Live” and “All Things Considered,” coverage in People magazine, a meeting with U.S. Secretary of Education Richard Riley—and educationally. All 150 Freedom Writers have graduated from high school and are now attending college.

With powerful entries from the students’ own diaries and a narrative text by Erin Gruwell, The Freedom Writers Diary is an uplifting, unforgettable example of how hard work, courage, and the spirit of determination changed the lives of a teacher and her students.

The authors’ proceeds from this book will be donated to The Tolerance Education Foundation, an organization set up to pay for the Freedom Writers’ college tuition. Erin Gruwell is now a visiting professor at California State University, Long Beach, where some of her students are Freedom Writers.

  • Sales Rank: #15767 in Audible
  • Published on: 2006-01-20
  • Format: Unabridged
  • Original language: English
  • Running time: 571 minutes

From Library Journal
When Gruwell was a first-year high school teacher in Long Beach, CA, teaching the "unteachables" (kids that no other teacher wanted to deal with), she discovered that most of her students had not heard of the Holocaust. Shocked, she introduced them to books about toleranceAfirst-person accounts by the likes of Anne Frank and Zlata Filopvic, who chronicled her life in war-torn Sarajevo. The students were inspired to start keeping diaries of their lives that showed the violence, homelessness, racism, illness, and abuse that surrounded them. These student diaries form the basis of this book, which is cut from the same mold as Dangerous Minds: the outsider teacher, who isn't supposed to last a month, comes in and rebuilds a class with tough love and hard work. Most readers will be proud to see how these students have succeeded; at the end of their four-year experience, the Freedom WritersAas they called themselves, in honor of the Freedom Riders of the 1960sAhad all graduated; Grunwell now works at the college level, instructing teachers on how to provide more interactive classes for their students. Recommended for youth, education, and urban studies collections.ADanna C. Bell-Russel, Lib. of Congress, Washington, DC
Copyright 1999 Reed Business Information, Inc.

About the Author
ERIN GRUWELL, the Freedom Writers, and her nonprofit organization have received many awards,  including the prestigious Spirit of Anne Frank Award, and have appeared on The Oprah Winfrey Show, Prime Time Live, Good Morning America, and The View, to name a few. All 150 Freedom Writers went on to graduate from Wilson High. She lives in Long Beach, California.

Excerpt. © Reprinted by permission. All rights reserved.
Freshman Year

Fall 1994

Entry 1 -- Ms. Gruwell

Dear Diary, Tomorrow morning, my journey as an English teacher officially begins. Since first impressions are so important, I wonder what my students will think about me. Will they think I'm out of touch or too preppy? Or worse yet, that I'm too young to be taken seriously? Maybe I'll have them write a journal entry describing what their expectations are of me and the class.

Even though I spent last year as a student teacher at Wilson High School, I'm still learning my way around the city. Long Beach is so different than the gated community I grew up in. Thanks to MTV dubbing Long Beach as the "gangsta-rap capital" with its depiction of guns and graffiti, my friends have a warped perception of the city, or L B C as the rappers refer to it. They think I should wear a bulletproof vest rather than pearls. Where I live in Newport Beach is a utopia compared to some of neighborhoods seen in a Snoop Doggy Dogg video. Still, TV tends to blow things out of proportion.

The school is actually located in a safe neighborhood, just a few miles from the ocean. Its location and reputation make it desirable. So much so that a lot of the students that live in what they call the "'hood" take two or three buses just to get to school every day. Students come in from every corner of the city: Rich kids from the shore sit next to poor kids from the projects . . . there's every race, religion, and culture within the confines of the quad. But since the Rodney King riots, racial tension has spilled over into the school.

Due to busing and an outbreak in gang activity, Wilson's traditional white, upper-class demographics have changed radically. African Americans, Latinos, and Asians now make up the majority of the student body.

As a student teacher last year, I was pretty naive. I wanted to see past color and culture, but I was immediately confronted by it when the first bell rang and a student named Sharaud sauntered in bouncing a basketball. He was a junior, a disciplinary transfer from Wilson's crosstown rival, and his reputation preceded him. Word was that he had threatened his previous English teacher with a gun (which I later found out was only a plastic water gun, but it had all the makings of a dramatic showdown). In those first few minutes, he made it brutally clear that he hated Wilson, he hated English, and he hated me. His sole purpose was to make his "preppy" student teacher cry. Little did he know that within a month, he'd be the one crying.

Sharaud became the butt of a bad joke. A classmate got tired of Sharaud's antics and drew a racial caricature of him with huge, exaggerated lips. As the drawing made its way around the class, the other students laughed hysterically. When Sharaud saw it, he looked as if he was going to cry. For the first time, his tough facade began to crack.

When I got a hold of the picture, I went ballistic. "This is the type of propaganda that the Nazis used during the Holocaust," I yelled. When a student timidly asked me, "What's the Holocaust?" I was shocked.

I asked, "How many of you have heard of the Holocaust?" Not a single person raised his hand. Then I asked, "How many of you have been shot at?" Nearly every hand went up.

I immediately decided to throw out my meticulously planned lessons and make tolerance the core of my curriculum.

From that moment on, I would try to bring history to life by using new books, inviting guest speakers, and going on field trips. Since I was just a student teacher, I had no budget for my schemes. So, I moonlighted as a concierge at the Marriott Hotel and sold lingerie at Nordstrom. My dad even asked me, "Why can't you just be a normal teacher?"

Actually, normalcy didn't seem so bad after my first snafu. I took my students to see Schindler's List in Newport Beach, at a predominately white, upper-class theater. I was shocked to see women grab their pearls and clutch their purses in fear. A local paper ran a front-page article about the incident, describing how poorly my students were treated, after which I received death threats. One of my disgruntled neighbors had the audacity to say, "If you love black people so much, why don't you just marry a monkey?"

All this drama and I didn't even have my teaching credentials yet. Luckily, some of my professors from University of California-Irvine read the article and invited my class to a seminar by the author of Schindler's List, Thomas Keneally. Keneally was so impressed by my students that a few days later we got an invitation to meet Steven Spielberg at Universal Studios. I couldn't believe it! The famous director wanted to meet the class that I had dubbed "as colorful as a box of Crayola crayons" and their "rookie teacher who was causing waves." He marveled at how far these "unteachable" students had come as a junior class and what a close group they had become. He even asked Sharaud what "we" were planning to do next year as an encore. After all, if a film does well, you make a sequel--if a class surpasses everyone's expectations, you . . .

. . . dismantle it! Yep, that's exactly what happened. Upon my return from Universal, the head of the English department told me, "You're making us look bad." Talk about bursting my bubble! How was I making them look bad? After all, these were the same kids that "wouldn't last a month" or "were too stupid" to read advanced placement books.

She went on to say, "Things are based on seniority around here." So, in other words, I was lucky to have a job, and keeping Sharaud and his posse another year would be pushing the envelope. Instead, I'd be teaching freshmen--"at risk" freshmen. Hmm . . . not exactly the assignment I was hoping for.

So, starting tomorrow, it's back to the drawing board. But I'm convinced that if Sharaud could change, then anyone can. So basically, I should prepare myself for a roomful of Sharauds. If it took a month to win Sharaud over . . . I wonder how long it's gonna take a bunch of feisty fourteen-year-olds to come around?

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0 of 0 people found the following review helpful.
Inspiring
By victoria medeiros
Inspiring to say the least...I laughed...I cried...I cheered everyone of those 150 Freedom Writers...to have persevered through every hardship imaginable & to come through it all with love...forgiveness...hope & inspiration is a testimony in itself...these kids are amazing & huge thanks to Ms G. For being more than just a teacher...to be a mentor...a friend...a critic at times when needed but always believing...you too are an amazing woman...I watched the movie & when it was over I was inspired to read the book...I am so glad I did...you have given this person something to think about...I'm not a teacher...I'm a schoolbus driver in the inner-city...I see alot of things out there on the road & on my bus...kids need more positive influences...more believing that things can change...maybe I can become a teacher on my bus & change things even if it's only with a smile for someone who knows only sadness...everybody needs to read this book....Thank You Ms G & Freedom Writers!!!

0 of 0 people found the following review helpful.
I saw the movie!!
By Kindle Customer
Such a grand story. I had to buy the book so I could learn more about this wonderful teacher and her incredible students.. such an inspiring story. I would wish that all our children have teachers to meet their needs such as these children got. I have incredible great grandchildren who I live with. I can only hope I can guide and inspire them as these wonderful kids continue to do. I will definitely save this story to share with others.

0 of 0 people found the following review helpful.
Read with her autobiography
By E. Spira
I showed my sophomore English students the movie after one of their state testing days when they needed a break. They LOVED it; they insisted we play the line game, and asked me why I didn't work two part-time jobs to take them to dinner at a fancy hotel. Truly though, the film made an impact. I bought a few copies of Freedom Writers' Diary, and those were borrowed instantly. I also borrowed a copy of Erin Gruwell's memoir, Teach with your Heart, which really tells the story behind the stories in the Diary. All these products were wonderful, and as someone who teaches grade-level students who are hard to reach with anything remotely literary, this story struck a chord with them and for once, I had kids ASKING to write. Students saw bits of their own lives in the work, and the importance of education in pulling themselves up by their own bootstraps. This book is definitely recommended for anyone in education, or who simply wants a little inspiration to achieve success in their own lives.

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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1920 edition. Excerpt: ... CHAPTER XXIII OBSESSION AND INSANITY In this chapter, I desire to place before the reader in a fair and clear manner facts which are too often neg- lected by Spiritualists, but which those who develop or become mediums are apt to find out to their cost later in their development, unless they are aware of the facts at the beginning. "Truth is always best," and it is accordingly best for the student to know the dangers and difficulties attendant upon Spiritualism as well as the bright side. We do not wish to alarm or divert from interest any student by this and the following chapters. Precisely the reverse. But inasmuch as "fore- warned is forearmed" the student should be familiar with all the possible risks he is running; as there are such risks if he does not develop his mediumistic power systematically and along the right lines, as so often pointed out before in this book. THE REALITY OF SPIRIT OBSESSION As we saw in the last chapter, it is often easier for the low and less developed spirits to come in touch with us than those more highly developed; and this is especially the case where mediumistic development has not been such as to bring the student in touch with the higher forces and intelligences. Modern science does not accept the doctrine of spirit-obsession as true, claiming that the cases of so-called spirit influence are really only cases of diseased mind and body, requiring for their MI cure proper medical attention. Experienced Spiritualists, however, know that while many cases of apparent obsession may be accounted for in this manner, there are also cases of real influence coming from less-developed, disembodied spirits, and as great a psychologist as Prof. Wm. James said shortly before his death: ' The refusal of modern...

  • Sales Rank: #3826116 in Books
  • Published on: 2013-09-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.69" h x .19" w x 7.44" l, .39 pounds
  • Binding: Paperback
  • 90 pages

From the Publisher
Kessinger Publishing reprints over 1,500 similar titles all available through Amazon.com.

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0 of 0 people found the following review helpful.
Received in good condition
By Amazon Customer
A+

25 of 27 people found the following review helpful.
Perhaps the Most Practical Book on Psychic Phenomena
By A Customer
This book comprise 41 chapters, covering topics like Telepathy, Personal Magnetism, Trance, Spirtualism and Mediumship, Hypnotism and Mesmerism, Psychometry, Clairvoyance, Automatic Writing, Apparitions, Reincarnation, What Happens After Death, Crystal Gazing, etc. There are also exercises to try out.
Some books on developing psychic skills also cover chakras. This topic is not covered in this book, though. However, it is a very complex topic and deserve a treatment on its own in a separate book.
A index (which it doesn't have) at the end of the book would be useful.

2 of 2 people found the following review helpful.
A great hand-book for psychic development.
By Amazon Customer
A fantastic glimpse into the true self, something all of us should explore and develop. I was very pleased with the combination of documented experiences, medical fact and scientific proof. Very useful for anyone looking to develop their spirituality.

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